Louis is a composer based in Manchester.

He created Sonixinema's with co-founder Tomas Blazukas during his studies at the National Film & Television School.

As a composer, Louis' music has featured in over 100 hours of primetime television including landmark shows such as the Peabody winning series Big Oil vs The World, EMMY winning feature Amazon Empire, BAFTA winning series Surgeons, and BAFTA winning series Long Lost Family. Other notable projects include Amazing Hotels, Love and Hate Crime, Our NHS, Gods of Tennis and The Airport.

2025 has been his busiest year yet, with 5 new television shows in the pipeline including Dart Kings (SKY), The Essex Murders (ITV), Bad Blood (ITV), Behind Closed Doors (ITV), and additional music on The Devil In The Family: The Downfall of Ruby Franke (Disney/Hulu).

An accomplished supervising sound editor and sound designer, Tomas is known for his diverse portfolio spanning acclaimed feature films.

Born in Vilnius, Lithuania, he started his first sonic experiments fusing sounds and musical arrangements while attending music school in his early years. This interest led him to play in live bands before immersing himself in electronic music production—eventually discovering his love for sound design in motion pictures.

While studying for his MA in Film Sound at the National Film and Television School, Tomas met Louis Dodd. Sharing a vision of crafting innovative sample libraries, they co-founded Sonixinema, a company dedicated to pushing the boundaries in creating inspiring virtual instruments.

Alongside his work at Sonixinema team, Tomas has collaborated with some of the industry's leading directors, including Kenneth Branagh (Belfast – Oscar-nominated for Best Sound, A Haunting in Venice, Artemis Fowl), Ridley Scott (House of Gucci), Guy Ritchie (In The Grey), Paul Feig (Last Christmas, The School for Good and Evil), among many other notable projects.

Stefano is a London-based composer weaving evocative musical narratives across diverse media.

From the intimate storytelling of NHK's The Fisherman, The Wife and the Piano and RaiPlay's Cabalato, the comedic tones of SKY TV's Al Murray: Why Does Everyone Hate The English?, his work spans a wide emotional range.

He holds an MA in Composing for Film & TV from the National Film & Television School and a Specialist Certificate in Orchestration from Berklee College of Music. His debut album, Solitary Places, offers a glimpse into his personal musical world.

Derek Kirkup is a composer, producer and mix engineer based in Bristol, UK.

He is a graduate of the Academy of Contemporary Music and BAFTA connect member.His most recent feature score for James Webber’s multi-award-winning Sorority starring BAFTA winners Kate Dickie and Sophie Kennedy Clark, saw him pick up the Alan Parsons Award for Best Original Score at the Scotland International Festival of Cinema.

On arriving in Bristol, he worked as lead audio engineer for Slate and Ash for four years, before joining Sonixinema, and more recently working as a freelance mix engineer.

Parallel to music, he has a long background in psychology including five years spent as a Samaritan and studies in counselling. He now coaches other artists to develop creative flow, positive self-image and relieve anxiety.

Derek is also a tutor with Thinkspace Education.

Chris Barry is a dynamic force in the world of entertainment and creative technology. Hailing from Upstate New York, he has built a 16+ year career blending music composition, sound design, cinematography, video editing, and graphic design - always pushing the boundaries of storytelling across different mediums.

A graduate from Berklee College of Music (B.M. Music Business ’15), Chris’s expertise spans both artistry and industry, from crafting impactful soundscapes to shapinghighly cinematic visuals. His work in sound design has been featured in 20+ films, with a strong focus on animation, and his visual artistry has earned recognition, including publication in Vogue Türkiye and acknowledgment from sound industry legend, Robert Etoll.

By 2020, Chris had fine-tuned his passion for music tech and education as a senior sales engineer at Sweetwater, where he thrived in helping others navigate the many complexities of the pro audio world. Whether behind a studio desk, camera lens, or in the edit suite, he is always creating, refining and pushing for innovation across the arts.

Driven by detail, collaboration, and a love for compelling storytelling, Chris continues to shape immersive experiences through sight and sound—several projects at a time.